
DJ Washington

Washington T. "I pity the foo!"

Emo Lincoln

Planet of the Abe Lincoln

Even as the five-figure fireworks display’s pops, bangs and whistles distracted from Mary J Blige’s soul-packed wail and drowned out Jay-Z’s punchlines, it was deafeningly clear that Shawn Carter is the only rapper in the history of hip-hop capable of delivering the performance witnessed by the Hollywood Bowl last night in Los Angeles. Several thousand hands remained launched in the air, just in front of me, as were tens of thousands behind me, swaying their Roc-A-Fella diamonds in near-perfect unison. The gesture is no doubt reminiscent of devout worship—and the sheer number of bowing diamonds recalls the vast temples of Malcolm X’s pilgrimage to Mecca—and with the God MC, him, Jay Hova at the focal point, there wasn’t an ounce of false idolatry in the air.
It’s hard to avoid hyperbole when discussing last night’s show. If headlining Madison Square Garden with his Fade To Black performance was Jay’s monumentally definitive NYC event, the Bowl was that for LA. Splitting time between bloated Ella Fitzgerald tributes and Coldplay concerts, it’s the bougie blossom on Los Angeles’ blouse. Rap isn’t supposed to work at venues like the Hollywood Bowl. Its Greek style seating and open to the desert air swallows anything that doesn’t soar ballad-like and forget about cuffed microphones. Hip-hop works better bottled up in some basement, where the energy can’t escape during the customary lulls—and yet, last night, the Bowl’s great expanse was overflowing.Certainly, Jay’s catalog has lulls. But last night, he was able to turn them into stadium sing-alongs or poignant moments to pontificate upon. The space loungey “I Know,” from American Gangster, was enjoyably lofty, breezy even. “Show Me What You Got”—a song that awkwardly exists as a moment where Jay was temporarily pushed into the past-his-prime pen when he was absolutely out-rapped by Lil’ Wayne on the same beat—raced in the live setting, just as its fancy video denotes. Most glaringly gargantuan, however, was his performance of “Minority Report.” Whether it was the uninspired Dr. Dre production or its misplaced feeling amongst the Ikea rap and Chris Martin duets of Kingdom Come, its destructive details seemed to miss their target on his album. A cappella, as images of Katrina’s decimation and America’s failures flashed behind him, Jay-Z proved that he could pack his rhymes with the political punch normally reserved for acts like dead prez and Mos Def.
And yet, it wasn’t even that which cemented a status I had believed was long-since cemented. In a move that simultaneously frustrated and delighted, Jigga breezed through 10-second snippets of his impossibly deep catalog. “Crazy In Love,” “Money, Power, Respect,” “Money Ain’t A Thang,” “Hard Knock Life,” “Ain’t No Nigga,” “Fiesta Remix,” “Hello Brooklyn” and on and on and on—all hits that would’ve kept the crowd de-lulled and at fever pitch—were all dismissed immediately with a “Nah, **** that.” Enough tracks for a whole other concert were treated like album cuts or forgettable b-sides not the chart topping party unifiers that they are. No hip-hop artist has that depth of familiarity (and the charismatic audacity to rub it in). Perhaps, one day Kanye West will reach that level and it’s an honestly disheartening thought that Big L, Notorious B.I.G. and Tupac Shakur might’ve reached the refined artistry and prolificacy on display last night, but these remain hypotheticals. The Heart of the City tour was a reality. Oh yeah, as if this after-thought is a further testament to Jay-Z's biblical stature, Mary J Blige was amazing, too.

I believe the event is happening the first weekend of May. Let me know if anyone's interested in going.
Updates will be coming up, but this week is gonna be kinda crazy for me. Wed. - Jay-Z Concert. Thur-Spinning at Vanguard. Weekend-Long Beach Grand Prix. Mon.-Kanye Concert.
This shit is just too funny. I came across this on another blog and I couldn't help but click the link. How many 5 year olds can I take on in a fight? GREAT QUESTIONS. One of the many ponders in life.
My favorate part of the quiz..
- "To hell with morality, I'd be too busy pile-driving, crane-kicking, and bare-knuckle bashing them all the way back to kindergarten"
- "During the fight, would you feel morally comfortable picking up a child and using him/her as a weapon to throw at other children?"
" I can't take it anymore. I have 2 show you guys a model of the stage. This is not a regular show. I tell people, hey, this show is gonna be crazy and they say, "I bet it is!", BUT THEY HAVE NO IDEA! People expect me to come with innovative stuff... I'm sure a lot of people expect some neon, lower east side, post everybody dressing like the 80's stuff or maybe the light up jacket from the Grammies, perhaps the robot girl and light spectacle they saw on Youtube from the European run. My friends..... NONE OF THE ABOVE!!! AN ENTIRELY NEW DESIGNED SET!!! ROBOT DESIGNED BY ACCLAIMED ARTIST CHRISTIAN COLON, CREATURE'S BY THE LEGENDARY JIM HENSON'S CREATURE SHOP, LIGHTING BY MARTIN PHILLIPS AND JOHN McGUIRE RESPONSIBLE FOR LAST YEARS FESTIVAL ANNIHILATOR, DAFT PUNK'S PYRAMID, POSSIBLY THE GREATEST LIGHT SHOW OF ALL TIME!! THANKS 2 PAUL, THOMAS AND GUYMAN FOR THE HOOK UP. SIDEBAR, MY SET DOES NOT HAVE A PYRAMID IN IT OR ANYWAY FEEL LIKE A BITE OF DAFT'S SHOW. WE'VE GOT HOLOGRAMS SHOT BY HYPE WILLIAMS!!!SAM SPIELGAL, MIKE DEAN, JEFF BAXTER AND I HAVE SPENT A MONTH AND A HALF RE-ORCHESTRATING EVERY TRACK 2 FOLLOW A NARRATIVE. WE'VE LEARNED TO SURVIVE OFF OF 1 HOUR OF SLEEP A DAY! "The somewhat daily ramblings of DJ INnovate